วันเสาร์ที่ 23 มิถุนายน พ.ศ. 2555

Book Review of The Topsail Accord by Jt Kalnay

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Joe, a coffee shop owner, and Shannon, a geologist, agree to see each other four times a year. Joe agrees to ask no questions of this very private woman. The story is told from each persons point of view in alternating sequences. It is easy to follow, and written in a Hemmingway-esque style of simplicity.

The vivid imagery sticks with you; the colors of the sunset on the beach where they walk, holding hands in a loose relationship in which lack of commitment, rather than commitment, is the glue that holds them together.

It is not because they do not care about each other. Quite the opposite, although the reader sometimes experiences the same anxiety that the characters feel about that very question. It is frustrating of course, to be with someone whose only promise is not to promise anything, and whose only request is not to request anything. But you get to watch the challenges from an intimate view that beset this couple. You experience the same tension they do. You watch them learn and grow from this rather unusual agreement that they have formed.

Both characters have a past, of course. They both have relationships which have left them scarred. These are not young lovers, they are mid-lifers who are world wary, and wounded. Shannon had been in a marriage that demanded more of her than she was able to give, no matter how she tried. The damage from that stays with her. Joe lost his only child to cancer, and feels the guilt and frustration of having done too little to save her. His wife, who had prevented him from getting their daughter the medical treatment she needed due to her fundamentalist religious beliefs, committed suicide from the guilt of that. Joe, of course, is scarred and wounded due to all of this.

Perhaps in a metaphorical way this is why he walks with a limp. Shannon sees him on the beach and notices him walking, or jogging as best he can and something touches her about him. Perhaps it is this very woundedness that makes her trust him somehow.

Shannon is as interesting and intriguing, meanwhile, as a beautiful, exotic butterfly. Joe notices her, as do many who see her, and sits mesmerized to just watch. She is a powerful female, as well. No shrinking violet. She is fabulously wealthy due to her discovery of oil, which her career as a geologist has allowed her to perceive. She is perceptive, a risk taker, and brave enough to believe in her contrary views. She knew there was oil when the others did not, and was willing to place her bets on it. So she got rich where they did not.

It is this strength of her own convictions in her non-traditional views that make her willing to set the terms of this relationship in which they will only see each other for a month in January, a month in July and two short vacations in spring and summer. It is Joe's own self-assuredness and compassion that allows him to accept her terms. He respects her boundaries, and seems to know intuitively what those boundaries are without her having to spell each and every one of them out to him. She appreciates this in him.

Not all relationships have to follow some orthodoxy. Our culture sets these arbitrary rules for couples to follow, these invisible yet highly controlling rules. When we choose as individuals or as couples to follow our own path and set our own guidelines, we might raise the eyebrows of our neighbors, or family, our friends. But the special rules we choose to follow may work out best for us. This book, The Topsail Accord, might serve as a template for some, or perhaps just free up the space in your mind to create your own template.

The leisurely pace of this book, and the restful tour of not only their relationship, but the places they chose to visit gave me the vicarious experience of their travels. When I had finished I felt as if I had taken a vacation. I was sorry to see the book end, and definitely plan to read other books by this talented author.

Anthea Carson is the author of The Dark Lake, an ebook available on Amazon Kindle. The Dark Lake is the story of obsession and madness. A woman haunted by her past cannot come to terms with the memories she's spent a life-time learning to repress. Anthea Carson is a tournament chess player, chess coach, and author. She is frequently listed in the USCF chess federation's list of the top 100 female chess players in the U.S. She has two other books, one young adult fiction called "Ainsworth" and one children's illustrated chess book called "How to Play Chess like an Animal." Anthea likes to read and review books by indie authors.
http://www.thedarklake.com/



วันอังคารที่ 12 มิถุนายน พ.ศ. 2555

Toughski Shitski

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Moffie has written a great comedic story. He applies wit to situational tensions from the 1950 Cold War policies of Russia and America and leaves laughter. Moffie's style seems to be to split scenes in time and space while relentlessly bringing the two plots together into a single and inevitable conclusion.

"Toughski shitski" is the coined phrase in this delightful tale of the Cold War. When Stalin dies suddenly, coitus interruptus, three men are given a mission. To kill John Wayne, the Duke, and fulfill Stalin's final request. The American scenes focus around Dick Powell, Hollywood producer, Howard Hughes, eccentric billionaire and RKO Pictures owner, and the production of "The Conqueror." The Russian scenes focus on conditions and problems in 1950s Russia for the citizens until the assassins are dispatched to America.

Ivan, Boris, and Alexei are the hapless assassin team sent to kill the Duke. They are tragically comic throughout the tale and seek to find their places in the life that has been dealt them. Through a series of mishaps and misadventures, ultimately, they are in the wrong/right place at the wrong/right time. From that point on they travel from one near-disaster to another seeking to accomplish their mission. Although they always seem to come out alive and well, while avoiding the seemingly indiscriminate slaughter of people by the Communist leadership, a secret is discovered.

Dick Powell, Howard Hughes, and the other characters involved are portrayed well, historical to a fine degree and still very full and rich. Many "secrets" about the lives and antics of 1950s Hollywood are revealed as well as truly insightful depths into many of the myths of the same era. Through these "real life" events, Moffie's polemic is proven about the deception of America and some of America's biggest icons by the Cold War Warriors (CWW) in power in the 1950s.

Moffie seems to be true to the character and personality of each real life person portrayed here. Dick Powell is the friendly and creative producer of myth and legend. Howard Hughes is the eccentric but troubled billionaire duped by the American government into the premise of the tale. John Wayne is almost reverently true to legend and all the more iconic because of it. The foibles of the other players and their individual contributions to the story and to the legends dealt with are realistic and lightly presented in a sense of play and enjoyment in the midst of the hard work of movie production.

The appendix, titled "The Body Count," is a true to life representation of the Russian and American lives affected or possibly affected by the deceptions of the CWW. They are chronicled leaving a lasting impression of the loss due to the fear of the Cold War arms race.

Well written and placed smoothly in the ambience of the era, Moffie's book has created a comedic-tragedy that can open the eyes and the mind of the reader. His characterization talent and his research into the time and the people shows on almost every page. Even with the tragedy of the endings, there is throughout a light-heart fatalistic perspective, thus, "toughski shitski" comes into the language of people looking back through Moffie's tale of the Cold War.

Published by CreateSpace ($12.98 USD SRP/Amazon $12.98 USD) Reviewer received book from author.